The Construction of Meaning and Sensations in Camera Operation in Audiovisual Projects

The Construction of Meaning and Sensations in Camera Operation in Audiovisual Projects

Authors

  • Erick Costa Author

DOI:

https://doi.org/10.51473/rcmos.v1i1.2024.892

Keywords:

"Camera Operation, Visual Storytelling, Framing, Sensory Immersion, Emotional Impact."

Abstract

Camera operation in audiovisual projects is one of the fundamental elements for constructing a narrative and creating an immersive sensory experience. Each technical choice, such as framing, angle, movement and depth of field, directly impacts the way the scene is perceived and interpreted by the viewer. More than a simple record of reality, the camera is an expressive instrument capable of directing emotions, intensifying drama and even modifying the understanding of the plot. This article seeks to explore how camera operation influences the meaning of scenes and the audience's emotional response. The research is based on a bibliographic review of reference works in the audiovisual field and an analysis of practical examples from cinema and television. Throughout the study, we discuss the importance of framing in scene composition, the narrative effects of camera movement, the impact of depth of field on the perception of space and the way in which angles and lighting reinforce the psychological construction of characters and the environment. The results indicate that the way the camera is operated can completely transform the audiovisual experience, making it more immersive and expressive. We conclude that technical and creative mastery of camera operation is essential for the narrative to be conveyed with clarity and emotional impact, ensuring that the viewer connects with the story in a deep and meaningful way.

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Author Biography

  • Erick Costa

    Cineasta, graduado pela Universidade Estácio de Sá
    Operador de Câmera, com 10 anos de TV Globo (A segunda maior emissora do mundo e a maior da América Latina).

References

BORDWELL, D.; THOMPSON, K. A arte do cinema: uma introdução. Porto Alegre: Artmed, 2013.

EISENSTEIN, S. A forma do filme. Rio de Janeiro: Jorge Zahar, 2002.

MASCELLI, J. V. Os cinco C’s da cinematografia: Técnicas essenciais para filmes e vídeos. São

Paulo: Érica, 2005.

ZETTL, H. Estética aplicada à produção televisiva e novos meios. São Paulo: Cengage Learning,

Published

2024-02-24

How to Cite

COSTA, Erick. The Construction of Meaning and Sensations in Camera Operation in Audiovisual Projects: The Construction of Meaning and Sensations in Camera Operation in Audiovisual Projects. Multidisciplinary Scientific Journal The Knowledge, Brasil, v. 1, n. 1, 2024. DOI: 10.51473/rcmos.v1i1.2024.892. Disponível em: https://submissoesrevistarcmos.com.br/rcmos/article/view/892. Acesso em: 5 sep. 2025.