The Construction of Meaning and Sensations in Camera Operation in Audiovisual Projects
The Construction of Meaning and Sensations in Camera Operation in Audiovisual Projects
DOI:
https://doi.org/10.51473/rcmos.v1i1.2024.892Keywords:
"Camera Operation, Visual Storytelling, Framing, Sensory Immersion, Emotional Impact."Abstract
Camera operation in audiovisual projects is one of the fundamental elements for constructing a narrative and creating an immersive sensory experience. Each technical choice, such as framing, angle, movement and depth of field, directly impacts the way the scene is perceived and interpreted by the viewer. More than a simple record of reality, the camera is an expressive instrument capable of directing emotions, intensifying drama and even modifying the understanding of the plot. This article seeks to explore how camera operation influences the meaning of scenes and the audience's emotional response. The research is based on a bibliographic review of reference works in the audiovisual field and an analysis of practical examples from cinema and television. Throughout the study, we discuss the importance of framing in scene composition, the narrative effects of camera movement, the impact of depth of field on the perception of space and the way in which angles and lighting reinforce the psychological construction of characters and the environment. The results indicate that the way the camera is operated can completely transform the audiovisual experience, making it more immersive and expressive. We conclude that technical and creative mastery of camera operation is essential for the narrative to be conveyed with clarity and emotional impact, ensuring that the viewer connects with the story in a deep and meaningful way.
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References
BORDWELL, D.; THOMPSON, K. A arte do cinema: uma introdução. Porto Alegre: Artmed, 2013.
EISENSTEIN, S. A forma do filme. Rio de Janeiro: Jorge Zahar, 2002.
MASCELLI, J. V. Os cinco C’s da cinematografia: Técnicas essenciais para filmes e vídeos. São
Paulo: Érica, 2005.
ZETTL, H. Estética aplicada à produção televisiva e novos meios. São Paulo: Cengage Learning,
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Copyright (c) 2024 Erick Costa (Autor/in)

This work is licensed under a Creative Commons Attribution 4.0 International License.